Showing posts with label Houghton Mifflin Harcourt. Show all posts
Showing posts with label Houghton Mifflin Harcourt. Show all posts
Sunday, June 19, 2016
Saturday, April 16, 2016
Read to Achieve
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| Kids discover Maybe Something Beautiful at Otis Elementary School |
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| Boston Celtic's Player Marcus Smart reading with kids |
Thanks to Boston Celtics players for inspiring the next generation as part of Read to Achieve. Check out this short video of the event and appreciate Houghton Mifflin Harcourt for donating books to this worthwhile program.
Wednesday, December 2, 2015
Maybe Something Beautiful
This year several new books took flight from my drawing table. This one hits home.
Maybe Something Beautiful written by F. Isabel Campoy and Theresa Howell due out this April from Houghton Mifflin Harcourt.
The genesis of this book was a personal journey that started in 1997 when my wife Candice and I bought an old car garage in an edgy neighborhood at that time, the East Village of downtown San Diego. We were in our thirties and put down all our savings to make it happen. My mother in law cried when she first visited and couldn't fathom our choice of a first home in a such a challenging part of town. Undeterred we rented two industrial wet vacuum cleaners to scrub the car grease off the floors and began digging car parts out of the back yard. For ten years we worked with our friend Daniel to transform our home into a live/work studio where we could create and dream. In 2007 we stood back and took a deep breath. The once cold, dark 3,200 square foot space at last felt warm, and inviting. We were happy, sort of.
You see there was a big issue all too evident the moment you opened the front door. Drug dealing and related violence ruled the streets. That gray darkness outside extended into our home. We noticed that most people in our neighborhood walked looking down. They were sad, depressed or perhaps just afraid to make eye contact. The signs of struggle were all around and the few families who lived nearby rushed across the streets to get inside quick and lock their doors. Not knowing what to do we put up flyers and held a meeting at a local school to try to figure something out. We decided the best thing to do was something we knew. To use art to transform our neighborhood. After many meetings in our loft which became the paint station and staging area, the Urban Art Trail was born. It started with the painting of electrical boxes once used as makeshift offices by drug dealers. I developed a series of large murals that worked like giant paint by numbers so untrained artists could be involved. The trail grew to include benches, sidewalk poetry, sculpture, urban bird houses and mosaics. Working together with neighbors, children, students, graffiti artists, teachers, designers, residents of women's and homeless shelters and many others we transformed our community.
The East Village today is a great place to live and work.

As this is based on our own story it felt right to take some risks and try new mixed media techniques that blend original photographs I shot of the East Village, digital, watercolor and acrylic on wood. I look forward to sharing these techniques in future posts.
Maybe Something Beautiful written by F. Isabel Campoy and Theresa Howell due out this April from Houghton Mifflin Harcourt.
The genesis of this book was a personal journey that started in 1997 when my wife Candice and I bought an old car garage in an edgy neighborhood at that time, the East Village of downtown San Diego. We were in our thirties and put down all our savings to make it happen. My mother in law cried when she first visited and couldn't fathom our choice of a first home in a such a challenging part of town. Undeterred we rented two industrial wet vacuum cleaners to scrub the car grease off the floors and began digging car parts out of the back yard. For ten years we worked with our friend Daniel to transform our home into a live/work studio where we could create and dream. In 2007 we stood back and took a deep breath. The once cold, dark 3,200 square foot space at last felt warm, and inviting. We were happy, sort of.
You see there was a big issue all too evident the moment you opened the front door. Drug dealing and related violence ruled the streets. That gray darkness outside extended into our home. We noticed that most people in our neighborhood walked looking down. They were sad, depressed or perhaps just afraid to make eye contact. The signs of struggle were all around and the few families who lived nearby rushed across the streets to get inside quick and lock their doors. Not knowing what to do we put up flyers and held a meeting at a local school to try to figure something out. We decided the best thing to do was something we knew. To use art to transform our neighborhood. After many meetings in our loft which became the paint station and staging area, the Urban Art Trail was born. It started with the painting of electrical boxes once used as makeshift offices by drug dealers. I developed a series of large murals that worked like giant paint by numbers so untrained artists could be involved. The trail grew to include benches, sidewalk poetry, sculpture, urban bird houses and mosaics. Working together with neighbors, children, students, graffiti artists, teachers, designers, residents of women's and homeless shelters and many others we transformed our community.
The East Village today is a great place to live and work.

Imagine my excitement when Isabel Compoy and Theresa Howell crafted an inspiring story about young Mira and her neighbors based on the actual Urban Art Trail. Below are sketches from the pages of our book. Featured in this 2016 Picture Book Preview from Jbrary. Thanks Lindsay and Dana for your early support of this new book.
As this is based on our own story it felt right to take some risks and try new mixed media techniques that blend original photographs I shot of the East Village, digital, watercolor and acrylic on wood. I look forward to sharing these techniques in future posts.
Thursday, May 21, 2015
New York Times Bookshelf Feature: Music Makers-Drum Dream Girl
Is it a dream or was Drum Dream Girl was featured in the New York Times Book Review? Grateful to Maria Russo for including our book in her review Bookshelf Music Makers.
Tuesday, March 31, 2015
All Dreams start with a Dreamer
I've been dreaming about the release of DRUM DREAM GIRL and today a new book was born. Thanks to author Margarita Engle and our young heroine Millo Castro Zaldarriaga for believing in dreams.
The journey from Margarita's poetic words to the birth of this book has lasted almost two years. Here's to Millo, a Chinese-African-Cuban girl who had the courage to break Cuba's traditional barrier against female drummers. When she was just fifteen she played her drums for first lady Eleanor Roosevelt and President Roosevelt. In the 1930s she went on to become a world class musician playing with American jazz greats of her era.
This book teaches children to not conform to gender stereotypes and follow the path of their hearts. GRATEFUL for the opportunity to be a storyteller.
Tuesday, March 24, 2015
Drum Dream Girl Video Book Trailer
Excited to post the video book trailer for DRUM DREAM GIRL due out March 31, 2015 from Houghton Mifflin Harcourt. What an opportunity to create this video to share her story. Looking forward to getting our book in the hands of children, teachers and librarians.
Grateful to Margarita Engle for writing this poetic story, inspired by the childhood of Millo Castro Zaldarriaga, a Chinese-African-Cuban girl who broke Cuba's traditional taboo against female drummers in the 1930s.
Friday, December 26, 2014
Looking forward
As a boy I used to read books about distant locations and dream. I count my lucky stars that at an early age my mother encouraged my imagination. Together we ground egg yolks, plants, beets, onions, and oxidized stones with the mortar she used to grind chiles and made pigment. She encouraged me to follow my dream. To paint my entire room using natural colors from the Earth and recreate the tomb of King Tut. All this was accomplished during summer vacation. On a recent visit to my childhood home it was thrilling to find that the vibrant colors are still there.
Now I'm looking forward to the release of our new book celebrating a young dreamer. Targeting kids aged 3-8 our book was published by Houghton Mifflin Harcourt and is set for release this March. Written by Pura Belpré winner and Newberry honoree Margarita Engle this book is inspired by the true story of brave, determined, Millo Castro Zaldarriaga. A courageous Chinese-African-Cuban girl who broke Cuba's traditional taboo against female drummers. In 1930's Cuba, her passion for drumming opened doors for girls to attain their dreams. These illustrations were created using acrylic paint that I buy in large jars from Mexico on hand-sanded wooden boards.
With this post I wanted to reveal four of the illustrations I crafted to tell Millo's inspirational story. Margarita and I were thrilled that this new book recently received a Kirkus starred review.
Wednesday, September 24, 2014
Finding my Rhythm with the Drum Dream Girl
My seventh children's book Drum Dream Girl for Harcourt Houghton Mifflin now rests in the hands of the printer. The stirring poetry of Margarita Engle illuminates the life of a brave ten year old Chinese-African-Cuban girl who was able to break the island's taboo against female drummers. A lyrical, inventive Cuban-American author, Margarita is the first Latina to ever win a Newbery honor and likes to write about independent thinkers ahead of their time. I'm a huge fan of her immensely powerful written words and the chance to work with this poetic text exceeded my expectations.
My own journey with Millo our heroine, began in the summer of 2013 where most of my books begin in the basement of our home in San Miguel de Allende, Mexico. At an old wooden table stained with the colors of past books, next to the washer and dryer, with dozens of crickets offering their opinions all at the same time. During this process I found a small garden snake in the wastebasket next to my desk stuck to the used masking tape. The little guy was thirsty and my son and I nursed the creature back to health then let it go in a nearby field. Much like the snake when you start a book you sort of crawl on your belly through tall grass looking for the right path.
As you can see in the early sketches for the book I had to search for Millo. At this point in the process I first lose myself in the text. What's so captivating about Margarita's poetic words is that they literally open doors beckoning me to try new things. Her poetic style gave me the freedom to invent as well as children the chance to do their own dreaming.
As an illustrator I don't want to reveal all the details too soon but stay in step with the unfolding story giving young readers the opportunity to fill those spaces in. As the prose unfolds jungle animals and objects bring dimension to the words. The story of this young girl reminded me of my own mother's struggles. She was in the first generation of female architects in Mexico and faced so much resistance even from her own family. In order to pursue her studies she took several side jobs and told her parents she was taking sewing classes. Her courage and persistence opened the glass ceiling. She successfully entered a male dominated profession in a traditional culture. I also grew up with three sisters and considered their relationships to each other when developing Millo's sisters who were part of an all girl band.
To channel Engle's words I realized early on that I needed to think abstractly. To switch from something concrete to abstract and back again. To dance intuitively between the two, criss-crossing the river of abstraction. I wanted to connect these two aspects of Millo's story and switch back and forth from reality to dreams. For this reason, on some spreads the moon has a face and sometimes it doesn't. When Millo dreams imaginary animals appear but at other times real creatures like a parrot whiz by during her walk in the park.
It really all begins by sketching, sketching and more sketching to develop the main character and all I can say is that you just know when it feels right. There's a great deal of research to get the facial expressions correct and craft her personality. As an artist I've always embraced the challenge of conveying the emotions of a character. When I designed the Latin music legends stamps for the U.S. Postal Service I needed to infuse the images of Celia Cruz, Tito Puente, Carmen Miranda, Selena and Carlos Gardel with the energy and spirit of their music. Creating portraits that resemble photos has never interested me and I'm more intrigued to find the nuances that make each face like a unique thumbprint. I worked with Margarita and searched books and the Internet for images of Millo and her band of sisters in Cuba.
I gathered many images and made a mood board to post in my workspace. At every opportunity I work to live in my characters skin. I keep on drawing till I clearly hear Millo's voice whispering in my ear when I go to sleep. This determined young girl had her own destiny to fulfill and along that path were twists and turns. I try to imagine how my character moves through the world and tune in to that beautiful struggle.
For this book I wanted to explore surrealistic ideas and get experimental with the visual elements. I was determined to not be chained to reality and spent many afternoons out with my camera exploring. On one of these walks I ordered homemade Mexican chocolate with whipped cream and multi-colored sprinkles for my young son. He got this far-off look in his eye that motivated me to continually search and document those dreamy expressions on the faces of children. These photographs and sketchbook observations really informed the gaze and features of young Millo.
I wanted to do something different with this book so I changed my palette. The more subdued colors and one of the spreads were a tribute to the work of one of my illustration heroes, the self taught Mexican caricaturist and artist Miguel Covarrubias. There are many night scenes in this book as it speaks to the dreaming of Millo. In the plant life of one jungle scene spread you can find echoes of Henri Rousseau. Many influences play into my thinking and dreaming for this book.
The proofs looked solid and I'm dreaming of our books release in 2015.
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| Amazing author Margarita Engle and I re-connect at the 2014 Pura Belpré ceremony |
My own journey with Millo our heroine, began in the summer of 2013 where most of my books begin in the basement of our home in San Miguel de Allende, Mexico. At an old wooden table stained with the colors of past books, next to the washer and dryer, with dozens of crickets offering their opinions all at the same time. During this process I found a small garden snake in the wastebasket next to my desk stuck to the used masking tape. The little guy was thirsty and my son and I nursed the creature back to health then let it go in a nearby field. Much like the snake when you start a book you sort of crawl on your belly through tall grass looking for the right path.
![]() |
| Early sketch searching for Millo |
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| Finding Millo |
As you can see in the early sketches for the book I had to search for Millo. At this point in the process I first lose myself in the text. What's so captivating about Margarita's poetic words is that they literally open doors beckoning me to try new things. Her poetic style gave me the freedom to invent as well as children the chance to do their own dreaming.
It really all begins by sketching, sketching and more sketching to develop the main character and all I can say is that you just know when it feels right. There's a great deal of research to get the facial expressions correct and craft her personality. As an artist I've always embraced the challenge of conveying the emotions of a character. When I designed the Latin music legends stamps for the U.S. Postal Service I needed to infuse the images of Celia Cruz, Tito Puente, Carmen Miranda, Selena and Carlos Gardel with the energy and spirit of their music. Creating portraits that resemble photos has never interested me and I'm more intrigued to find the nuances that make each face like a unique thumbprint. I worked with Margarita and searched books and the Internet for images of Millo and her band of sisters in Cuba.
![]() |
| Millo Castro Zaldarriaga and Anacaona in 1930's Cuba |
I wanted to do something different with this book so I changed my palette. The more subdued colors and one of the spreads were a tribute to the work of one of my illustration heroes, the self taught Mexican caricaturist and artist Miguel Covarrubias. There are many night scenes in this book as it speaks to the dreaming of Millo. In the plant life of one jungle scene spread you can find echoes of Henri Rousseau. Many influences play into my thinking and dreaming for this book.
The proofs looked solid and I'm dreaming of our books release in 2015.
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