Chicago Mural in Progress

I've been in Chicago now for a sizzling week working on a 150 foot long mural at Addison and Avondale. I arrived on Wednesday for a wonderful celebration with the dedicated organizers and volunteers held at the National Museum of Mexican Art. I'm headed out to keep painting but wanted to share our progress with these photos. We are preparing for the legions of children who will arrive on Thursday to complete the mural.

National Museum of Mexican Art Chicago

Mural organizer Cesario gives us a tour 

Tools of the trade

*Organizer Joanie and I at L Station

A local pelateria helps us beat the heat

Preparing the 150 feet long canvas

*My color chart to guide the volunteers

Rey Colón, Alderman of the 35th Ward

Fearless artists and volunteers attack the white wall

* We've been painting 8 hours with temperatures in the 90s

Incredible Chicago Crew Member

Creative neighborhood kids drop in to add color

Celebrating Father's Day with community service

 Local Police Sergeant stops to help after his shift

Mural Progress on day 6

The captions with * are photos of the Chicago Mural courtesy of talented photographer and friend Jim O'Donnell.

National Book Festival Poster Evolution

"The book's role in passing knowledge from person to person, from generation to generation, 
is unique and irreplaceable."   -Librarian of Congress James Billington.

What a thrill to work on the poster for the 2012 Library of Congress National Book Festival to be held on September 22-23 on the National Mall in Washington D.C. This extraordinary event will feature more than 100 renowned authors, poets and illustrators and is free and open to the public. Festival-goers can get books signed and kids can have their photos taken with storybook characters as part of special activities created just for them. An estimated 200,000 people attended in 2011 and the festival this year includes Pulitzer Prize winning author Philip Roth and Peruvian Mario Vargas Llosa who won the 2010 Nobel Prize among others.
I first explored the concept of reading to your pets in this illustration from 
Book Fiesta written by Pat Mora.  

Book Fiesta! We read to our pets.

Drawing of Class Guinea Pig Shakespeare
by 9 year old Santiago

I vividly remember reading to my dogs, cats, lizards and hamsters as a child. My young son Santiago reads regularly to his class guinea pig Shakespeare, who by the way is a big fan of Roald Dahl. This concept resonated with National Book Festival organizers giving me the incredible opportunity to re-invent this theme for their poster.

Raw Gestural Sketch

Previous posters had always featured the headline at the top. I wanted to change things up by creating a border of animals mesmerized by three young readers that encircled the text. To get started I made the gestural sketch above to set the mood and guide my storytelling. I wanted the three children to be the focal point so when refining the sketch below I added directional clues with the animals pointing their eyes and bodies at the central headline and kids.

Refined Sketch

In this phase I define the characters slowly and carefully, sketching and developing the personalities into each animal. This results in a wise turtle [he has already lived 100 years after all] and a curious tiger [stretching his neck for a peek at that book]. I draw each one separately on sheets of tracing paper and move them into position, enlarging or condensing them, tearing off bits of tissue, re-positioning and overlapping them till my intuition gives me the green light. I then re-draw the finished sketch, transfer it to the board and tape it up in my studio. After hand selecting, cutting and sanding the board till the grain is just right I transfer the sketch and mask out all the characters in preparation for the background. The next step involves covering the entire composition with tape and carefully cutting out each creature with an xacto knife.

Cutting shapes with an xacto knife.

Distinctive shapes are ready for color. 

Shape and texture is central to my work. Books are about reality and fantasy and I choose to stir up a  concoction of both. Because I view my subjects as design elements I have the freedom to push scale all over the composition. I know kids are not hung up on realism so why should I be? I can make a gigantic, almost pre-historic dragonfly. Who cares if a tiny creature is the same height as a dinosaur as that just heightens the fun. It's more important that I include a spiky texture in that spot so along comes a pointy hedgehog. I'm focused on the shapes and getting them to fit the space. Then along comes the big color decision.

Applying background colors to the wood surface

The background dictates all the other colors. I wanted to use blue/green daylight hues to contrast the warm characters. Lighter colors at the base  bring attention to the kids while the top of the composition is cooler and darker to add a touch of wonder near the inquisitive monkeys. Developing the colors for each character involves looking back at what I've already done and complementing colors across the composition. I don't hesitate to make a textured purple elephant if that brings vitality to the storytelling.

Color palette taking shape

The border comes alive

Working my way around the composition I want the colors to talk to each other.  I stay focused on the shapes and keep telling myself to think like a kid. Listening to that inner child reminds you that it is important to play. That's why I add lots of surprises, details and textures hoping children will identify with one of or two of the playful creatures. Here's the finished artwork given to the design team at the Library of Congress with a temporary headline for position.

Pictured below is the final poster for the 2012 National Book Festival. To see a more detailed step by step of the poster evolution or to download this year's poster for your favorite reader or classroom please visit the Library of Congress blog at this link.

Calder's Magic and Children

Alexander Calder embodied a spirit of play. He invented the whimsical mobile and created a fantastic traveling circus from cork, wire, buttons, scraps of fabric, wood and paper. He breathed life into his work with boundless imagination. He packed his clever circus in 5 amazing suitcases and traveled back and forth between Paris and New York delighting audiences young and old. When he was a child his artistic parents encouraged him to experiment with shapes and motion. As art and music is being cut from public schools I'm passionate about encouraging young minds to stretch their artistic muscles like Sandy did. 

I teamed up with the incredible fourth graders at the San Diego Cooperative Charter School and art teacher Allison Bell. We created mobiles to evoke the spirit of Sandy Calder and students crafted original animals to re-create his circus from found materials. Ms. Merrill's fourth graders read inspiring books; Sandy's Circus by Tanya Lee Stone with illustrations by Boris Kulikov and The Calder Game written by Blue Balliett, pictures by Brett Helquist. Along with the art making each child researched books and websites like the wonderful Whitney for Kids and wrote personal essays that were put on display all about Alexander. Thanks to Duane Gardella at the City College theatre and parent volunteers who in a few short hours stepped in to help me put together the project for Art Night.

Inspiring Reads: Sandy's Circus and The Calder Game
by Tanya Lee Stone                 by Blue Balliett

I worked in my studio last week to assemble an art salon worthy of their creations. Visiting local thrift shops I recycled large white sheets into canvas for Calder inspired graphics. These were used to transform their classroom into a gallery that resembled a circus tent. Using cardboard and paint I created playful animals including a leaping red bull and seal that juggled beach balls. 

Juggling seal made from painted cardboard

I remember taking my son to the National Gallery of Art and we were fascinated by the shapes and shadows of Calder's mobiles and sheet metal animals. I cut circus forms out of painted cardboard and hot-glued them to sturdy plastic straws so kids could play with shadow shape and scale.

Playing with shape and scale in the shadow theatre

Paintings on white sheets pay tribute to Calder's wire sculptures

Lost in a forest of whimsical mobiles created by children.
Vintage travel stickers were pasted
on old suitcases in homage to Calder's traveling circus.

A fantastical flea circus was performed in the Calder Salon on Art Night. Children approached me in wide-eyed wonder to see the beauty of their own sculptures and marvel at their classroom changed in just one afternoon by the magic of art. 

Hail the King of Wild Things

An 8 year old boy wrote:
"Dear Mr. Sendak, 
How much does it cost to get to where the wild things are? If it is not expensive, my sister and I would like to spend the summer there".                            

Earlier this year my son Santiago made the drawing above from memory. It was one of those rare moments that stick with you because I remember the visual impact the Wild Things made on me as a child. My very first painting in college was of monsters hiding in the woods and it still hangs in my sister's room, a tribute to my hero. He was the first author/illustrator who inspired me deeply. When I heard the news of his passing this morning I closed up my studio and chose to wander around all day like Max.
Like Antonio Gaudi or Frida Kahlo, Maurice Sendak was a frail child who dealt with one illness after another. His world was filled with terrors like World War II, the Depression and the Holocaust and many of his close relatives perished. He grew up poor, Jewish and gay wanting to make his parents happy. Spending many hours in bed, the one thing he really loved to do was draw.
His drawings and stories brought authentic magic into this world. Take time to listen this wonderful NPR Interview on Fresh Air. His melancholy was tempered by a serious dose of jovial exuberance. This genuine man was the true stuff of legends. He was a mentor to so many aspiring illustrators and writers not to mention decades of children who identify with his timeless tales and unforgettable characters. His extraordinary books are listed here.

I can only guess that when Maurice arrived the angels blew their horns loudly and shouted "Let the wild rumpus start!"

Chicago Community Mural

I'm excited to travel this June to Chicago to paint this mural with children and families at the intersection of Addison and Avondale. Please click on this short video I created for the National Museum of Mexican Art who have organized the project to explain the mural symbolism and imagery.

New Children's Mural

Please click on the mural image above to enlarge it.

I had the wonderful opportunity to create this new mural for Children's Memorial Hospital in Chicago. Inspired by the courage of children and their families I wanted to use vivid hues that celebrated the brightness of their future. Hoping a healthy dose of color and light will speed healing.

Illustration Voice

Sharing this excerpt from a recent article in Illustration Voice along with my thanks to Editor and amiga Anne Telford.

Many years ago I was fortunate to travel to México with Rafael to research and conduct interviews for an article on contemporary Mexican graphic design for Communication Arts magazine. We flew to México City and stayed with his Auntie Lucho, driving around the world’s most populous city in the car he drove while attending Art Center many years before. In addition to his drawing and painting skills, the man can navigate the most hellish traffic with a cool that brings to mind Steve McQueen in Bullet. Visiting the Frida Kahlo Museum in Coyoacán and the National Museum of Art gave me an inside glimpse into his artistic influences.